Each week, you may find information here about the music in the traditional worship services at First United Methodist Church in Lewisville, Texas. Some of this information is original; most of it is copied from other websites such as Wikipedia, GBOD, and hymnary.org. It is my hope that this information will enhance your understanding and enrich your worship experience.
About the Organ Music:
O Waly Waly - J. Bert Carlson
(c.2001, Augsburg Fortress)
O WALY WALY is a traditional English melody associated with the song "O Waly, Waly, gin love be bony," the words of which date back at least to Ramsay's Tea Table Miscellany (1724-1732), and as the setting for a folk ballad about Jamie Douglas. It is also well known in the Appalachian region of the United States.
Among the most prominent New Testament texts is the discourse on love found in I Corinthians 13. Hal H. Hopson has paraphrased part of this beautiful text in what has become one of the most popular late 20th-century hymns, appearing in many major hymnals published in the U.S. since 1980. "The Gift of Love" first appeared as a very popular anthem in 1972. Both the text and the music are effective paraphrases -- the text of I Corinthians 13:1-3 and the melody as an adaptation of the beautiful folk melody "O Waly, Waly." The original tune was collected by American folksong specialist Cecil Sharp and published in his Folk Songs from Somerset (1906). "The Gift of Love" is very flexible and, according to Hope Publishing Co., is Mr. Hopson's most popular composition -- widely used as an anthem, solo and as a hymn. Speaking of the popularity of his hymn, Hopson said: "The first 'Gift of Love' was a two-part choral arrangement. Years later, at the suggestion of George Shorney at Hope Publishing Company, I cast it in a form to be used as a congregational hymn. Since then it has become a standard hymn to be included in many hymnals. It is noteworthy that The United Methodist Hymnal, 1989, was the first hymnal that included 'The Gift of Love.' I was once surprised to be introduced at a seminar as the Gift-of-Love-Man."
Mr. Hopson (b. 1933) is a native of Mound, Texas, and now resides in Dallas. Hopson was educated at Baylor University, Waco, Texas, and Southern Baptist Seminary, Louisville, Kentucky. He served various churches in the Nashville area as organist and choir director. He has also taught at Westminster Choir College, Princeton, New Jersey, and Scarritt Graduate School, Nashville, Tennessee. He has an international reputation as a clinician and composer, and has published more than 1,300 compositions, which comprise almost every musical form in church music. With a special interest in congregational song, he continues to make a significant contribution to the new repertoire of hymn tunes and responsorial psalm settings as evidenced by the proliferation of his settings that are included in newly published hymnals and psalm collections. He takes an active role in many conferences and music clinics and was a major contributor to the Presbyterian Psalter (1994).
Though I may speak with bravest fire,
And have the gift to all inspire,
And have not love; my words are vain
As sounding brass and hopeless gain.
Though I may give all I possess,
And striving so my love profess,
But not be given by love within,
The profit soon turns strangely thin.
Come, Spirit come, our hearts control.
Our spirits long to be made whole.
Let inward love guide every deed.
By this we worship and are freed.
Amen.
J. Bert Carlson (b. 1937), retired pastor, holds a master of music from Duquesne University School of Music and has served as pastor of Christ Lutheran Church, Whiting, NJ since 1997. Carlson wears many diverse hats as a piano teacher, organ recitalist, tenor soloist, musical director, and conductor as well as cofounder of the Chicago Oratorio Society and clinician for numerous workshops with an emphasis on choral methods, organ and hymn composition. His prodigious list of publications includes anthems, vocal songs, organ works, and piano works.
Love Divine, All Loves Excelling - Bernard Wayne Sanders
(c.2017, Concorde Publishing House)
Charles Wesley (1707-1788) was a prolific hymn writer of the 18th century. Coming from a musical family, he left a lasting legacy of congregational song. The youngest of 18 children, Charles possessed prodigious talents that soon blossomed. Little did he know that “Love Divine, All Loves Excelling,” would rise to become one of the most popular and consistently vocalized Christian songs. Writing hymn texts that are solidly based on the Scriptures gives them an appeal across denominational lines. It is estimated that during his lifetime, Wesley penned more than 9,000 poems of a spiritual nature, 6,000 of which are hymns. What really set Charles apart from other hymn writers was his effective use of scriptural allusions, providing a spiritual roadmap whereby individuals could imagine a Christ-centered life. His writings were passionate and well-crafted, conveying the true essence of Christian teaching.
A substantial number of his writings were completed while riding on horseback to his evangelical meetings. Scholars suggest that he was able to compose about 10 lines of verse daily for 50 years. Charles’ brother John sometimes served as editor to his hymns. John’s typical response was, “some were good, some were mediocre, and some were exceptional.” John can also be credited with improving the sing-ability of Charles’ hymns.
Both John and Charles were instrumental in changing the spiritual environment of Britain during the 18th century. In doing so, they formed the bedrock of what Methodism has become worldwide. Their unwavering devotion to expressing Christian spirituality through hymns has impacted individuals across all denominational lines. We are fortunate to be the recipients of the poetic genius of Charles Wesley. He influenced Methodism more than any other hymn writer. Upon hearing of Charles’ death, an elderly Londoner asked, “Who will write poetry for us now?”
“Love Divine, All Loves Excelling” was first published in a collection of hymns entitled Hymns for those that Seek, and those that Have, Redemption in the Blood of Christ (1747). The incipit (opening line) was a play on the opening line of John Dryden’s (1631-1700) poem “Fairest Isle, All Isles Excelling” set to music by Henry Purcell (1659-1695) in the generation before Charles Wesley was born. The hymn is written around a progression of thoughts: (1) our prayers for the Holy Spirit, (2) praying for the return of our Lord through the second coming, and (3) prayers for the finalization of his new creation.
Stanza 2 expresses the Wesleyan concept of the “second rest.” When Charles referred to this in his hymns, it specifically applies to the “second birth,” “second blessing,” “second gift.” All of these are directed toward achieving full “sanctification” or “Christian perfection.” This is an important theological tenet of Methodist preaching from the very beginning.
There is no better way of describing the culmination of adhering to the biblical teachings of Christ, than in stanza four of this hymn. Wesley’s phrase, “changed from glory into glory” is almost a direct quotation from 2 Corinthians 3:18 (KJV). Wesley describes that day in heaven when “we take our place, till we cast our crowns before thee, lost in wonder, love, and praise.”
After receiving an education in Germany, John Zundel (1815-1882) went to St. Petersburg, Russia, where he served as organist of St. Anne Lutheran Church and was bandmaster of the imperial horse guards. He came to New York in 1847 and became the organist at Plymouth Congregational Church in Brooklyn (1850-1878). Henry Ward Beecher, the famous abolitionist preacher, was pastor of that congregation, and their joint ministry caused the Plymouth Church to become well known for its preaching, organ playing, and congregational singing. Dissatisfied with existing hymnals, Beecher asked Zundel to help compile several new hymnals. Temple Melodies (1851) and the Plymouth Collection of Hymns (1855) were the result. Zundel provided twenty-eight hymns tunes for the Plymouth Collection. He also published The Choral Friend (1855), Psalmody (1855), and Christian Heart Songs, and he edited the Monthly Choir and Organ Journal until his retirement in Germany in 1880. John Zundel's BEECHER (named after Henry Ward Beecher, his pastor) was first published in his Christian Heart Songs (1870) as a setting for Charles Wesley's "Love Divine, All Loves Excelling".
Love divine, all loves excelling, joy of heav’n, to earth come down,
fix in us thy humble dwelling, all thy faithful mercies crown.
Jesus, thou art all compassion, pure, unbounded love thou art.
Visit us with thy salvation; enter ev'ry trembling heart.
Breathe, O breathe thy loving Spirit into ev’ry troubled breast.
Let us all in thee inherit, let us find the promised rest.
Take away the love of sinning; Alpha and Omega be.
End of faith, as its beginning, set our hearts at liberty.
Come, Almighty, to deliver, let us all thy life receive.
Suddenly return, and never, nevermore they temples leave.
Thee we would be always blessing, serve thee as thy hosts above,
pray, and praise thee without ceasing, glory in thy perfect love.
Finish, then, thy new creation; true and spotless let us be.
Let us see thy great salvation perfectly restored in thee.
Changed from glory into glory, till in heav’n we take our place,
till we cast our crowns before thee, lost in wonder, love and praise.
Bernard Wayne Sanders (b. 1957) was born in DePere, Wisconsin and was educated at St. Norbert College, Wichita State University, and the Hochschule für Musik in Hamburg, Germany. Sanders has been an active church musician in Germany since 1974, currently serving parishes in the Tuttlingen area as music director and official diocesan organ consultant. As a composer, he has published many works and composed the award winning piece Ornament of Grace, sponsored by the American Guild of Organists as part of a performance by organists worldwide in 2008.
About the Choral Music:
Let Us Love One Another – Arnold Sherman
(c.1981, Sacred Music Press)
Arnold Sherman (b. 1948), currently living in Tyler, Texas, is a free-lance composer and co-founder of Red River Music. Sherman is the founder and Director of the East Texas Handbell Ensemble. A clinician and guest conductor, he has led choral and handbell workshops, festivals, and reading sessions throughout the United States, Canada, England, Japan and the Bahamas. Arnold has over three hundred choral and handbell pieces in print and has been an active member of the American Guild of English Handbell Ringers where he has served as Area IX Chairman.
“Let Us Love One Another” was written for the choir of First United Methodist Church in Henderson, Texas, and is based on I John 4: 7-11.
Beloved, let us love one another, for love comes from God,
And all who know and call upon his name are children of our Lord.
Beloved, this is what love is; not that we love God, but that he loves us
and sent his only Son to free us from our sin.
How can we not know our God? How can we not love our God?
He sent his only Son to die for all our sins.
Is there greater love that this?
Beloved, if this is how God loves, then we should love all men,
And live in perfect harmony with all, and God will live in us.
Let us love one another.
God as We Leave This Place - Jim Strathdee
(c.1994, Desert Flower Music)
Internationally known artists, Jim and Jean Strathdee sing with thousands of people each year as they offer their music in concerts, worship, conferences, reteats, and workshops. Most often they travel throughout the United States and Canada, but over the 40 year span of their ministry they have shared their music in India, New Zealand, Cuba, and Central America. Their music spans a diversity of sound and style and includes use of guitar, piano, mandolin, harmonica, African drums, and Native American flute. They see music as an agent of transformation where ecumenical and inter-faith communities come together to make a stand for positive change. Jim and Jean have served on the staff of United Methodist churches in southern and northern California and Hawaii. They have written hundreds of hymns, songs, and anthems.
God as we leave this place together,
Strengthened by prayer, refreshed by song,
Help us to walk with one another
When the road is weary and long.
God as we journey through the wilderness,
Longing to reach the promised land,
We are restored to grace and freedom
Led by your strong and loving hand.
About the Hymns:
Where Charity and Love Prevail
(c. 1961, World Library Publications)
Omer Westendorf (1916-1997) was one of the leading composers following the liturgical reforms of the Second Vatican Council. Beginning at age 20, he received his master’s degree in music at the Cincinnati Conservatory of Music, and for most of his professional musical career served as organist and choirmaster at St. Bonaventure Church in Cincinnati. Under his direction the Bonaventure Choir sang concerts and recorded sacred music for several decades. One of his greatest achievements was the founding of the World Library of Sacred Music in 1950 and World Library Publications in 1957. These organizations have been primary distributors of music for the Mass in the United States and beyond.
Westendorf was also known for his lectures and seminars on sacred music, consultations on liturgical music and as a hymn writer. Westendorf’s People’s Mass Book, 1964, was the first vernacular hymn and service book to implement the Catholic liturgies decreed by Vatican Council II. He wrote Music Lessons for the Man in the Pew to teach the art of sight reading choral music.
“Where charity and love prevail” (1961) provides an English hymn version of a 9th-century Latin hymn, “Ubi caritas et amor, Deus ibi est” (Where there is charity and love, God is there) based on 1 John 4:16. Traditionally, this is the final hymn on Maundy Thursday, called in the Latin tradition Mandatum novum (New Commandment), referring to the act of washing of the disciples’ feet initiated by Jesus.
Scholar H. Myron Braun comments on this ancient ritual: “[The Latin chant] is said to date from the ninth century . . . with its emphasis on community within the faith, on Christians holding one another in love and concern . . . It is appropriate for . . . [Maundy Thursday] when we note the “new commandment” that we love one another, and also several times in Eastertide when the lectionary leads us to reading on love from the Gospel and the epistles of John.”
The text draws directly on John 13:34, “I give you a new commandment, that you love one another. Just as I have loved you, you also should love one another.” This version appeared first in Westendorf’s People’s Mass Book (1976).
Composed by Alexander R. Reinagle (1799-1877), ST. PETER was published as a setting for Psalm 118 in Reinagle's Psalm Tunes for the Voice and Pianoforte (c. 1836). The tune first appeared with Newton's text in Hymns Ancient and Modern (1861); it is now usually associated with this text, for which it is a better match than for Psalm 118. The tune was named after St. Peter-in-the-East, the church in Oxford, England, where Reinagle was organist from 1822-1853. Little is known of Reinagle's early life. Of Austrian descent, he came from a family of musicians and became a well-known organ teacher. A writer of teaching manuals for string instruments, Reinagle also compiled two books of hymn tunes, the 1836 collection and A Collection of Psalm and Hymn Tunes (1840). He also composed a piano sonata and some church music.
Where charity and love prevail, there God is ever found;
Brought here together by Christ’s love, by love are we thus bound.
With grateful joy and holy fear His charity we learn;
Let us with heart and mind and soul now love him in return.
Forgive we now each other’s faults as we our faults confess;
And let us love each other well in Christian holiness.
Let strife among us be unknown, let all contention cease;
Be His the glory that we seek, be ours His holy peace.
Let us recall that in our midst dwells God’s begotten Son;
As members of His body joined, we are in Him made one.
No race or creed can love exclude, if honored be God’s name;
Our family embraces all whose Father is the same.
They'll Know We Are Christians by Our Love
(c.1991 Word Music)
Peter Scholtes (1938–2009) was born in Evanston, Illinois and grew up in Oak Park, where he attended Ascension School and Fenwick High School before studying at Quigley and St. Mary of the Lake-Mundelein seminaries. He earned his Masters in Adult Education and Organization Development at Boston University. After working in the public sector in Lynn, Massachusetts and Madison, Wisconsin, Peter became a consultant with Joiner Associates in the 1980s, traveling the globe to help businesses engage employees' talents more fully, humanely, and effectively. He co-authored The Team Handbook, which was named one of The 100 Best Business Books of All Time (in the book of that title). After starting Scholtes Seminars and Consulting, he wrote the classic The Leader's Handbook in 1998, which made the definitive case against performance appraisal—a practice he argued was demoralizing and wrong.
Scholtes wrote the text and tune of the hymn "They'll Know We Are Christians by Our Love" while he was a parish priest at St. Brendan's on the South Side of Chicago in the 1960s. At the time, he was leading a youth choir out of the church basement and was looking for an appropriate song for a series of ecumenical, interracial events. When he couldn't find such a song, he wrote the now-famous hymn in a single day. It is inspired by John 13:35. It was released on an LP of the same name featuring the congregation of Scholtes' church singing this hymn and others. His experiences at St. Brendan's, and in the Chicago Civil Rights movement, influenced him for the rest of his life.
We are one in the Spirit, we are one in the Lord.
We are one in the Spirit, we are one in the Lord,
and we pray that all unity may one day be restored.
We will walk with each other, will walk hand in hand,
We will walk with each other, will walk hand in hand,
And together we'll spread the news, that God is in our land
We will work with each other, we will work side by side,
We will work with each other, we will work side by side
And we'll save each man's dignity, and guard each man's pride.
All praise to the Father, from whom all things come,
And all praise to Christ Jesus, His only Son
And all praise to the Spirit, that makes us one.
And they’ll know we are Christians by our love, by our love.
Yes, they’ll know we are Christians by our love.
First United Methodist Church, Lewisville, Texas
A Community of Everyday People Learning to Love Like Jesus
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