Each week, you may find information here about the music in the traditional worship services at First United Methodist Church in Lewisville, Texas. Some of this information is original; most of it is copied from other websites such as Wikipedia, GBOD, and hymnary.org. It is my hope that this information will enhance your understanding and enrich your worship experience.
About the Organ Music:
Christ is Made the Sure Foundation - Charles Ore
(c.2016, Concordia Publishing)
This hymn was written by John Mason Neale, who was born in London in 1818, studied at Cambridge, and was ordained to the priesthood in 1842. He was offered a parish, but chronic ill health, which was to continue throughout his life, prevented him from taking it. In 1846 he was made warden of Sackville College, a position he held until his death in 1866.. Sackville College was not an educational institution, but an almshouse, a charitable residence for the poor.
In 1854 Neale co-founded the Sisterhood of St. Margaret, an order of women in the Anglican Church dedicated to nursing the sick. Many Anglicans in his day, however, were very suspicious of anything suggestive of Roman Catholicism. Only nine years earlier, John H. Newman had encouraged Roman practices in the Anglican Church. This encouraged the suspicion that anyone like Neale was an agent of the Vatican, assigned to destroy the Anglican Church by subverting it from within. Once Neale was attacked and mauled at a funeral of one of the Sisters. From time to time unruly crowds threatened to stone him or to burn his house. He received no honor or recognition in England, and his doctorate was bestowed by Trinity College, Hartford, Connecticut). However, his basic goodness eventually won the confidence of many who had fiercely opposed him, and the Sisterhood of St. Margaret survived and prospered.
Neale translated the Eastern liturgies into English, and wrote a mystical and devotional commentary on the Psalms. However, he is best known as a hymn writer and translator, having enriched English hymnody with many ancient and mediaeval hymns translated from Latin and Greek and many original hymn texts.
Regarding the importance of translating and preserving the ancient texts, he wrote:
Among the most pressing of the inconveniences consequent on the adoption of the vernacular language in the office-books of the Reformation, must be reckoned the immediate disuse of all the hymns of the Western Church. That treasury, into which the saints of every age and country had poured their contributions, delighting, each in his generation, to express their hopes and fears, their joys and sorrows, in language which whould be the heritage of their Holy Mother until the end of time--those noble hymns, which had solaced anghorets on their mountains, monks in their cells, priests in bearing up against the burden and heat of the day, missionaries in girding themslves for martyrdom--henceforth became as a sealed book and as a dead letter. The prayers and collects, the versicles and responses, of the earlier Church might, without any great loss of beauty, be preserved; but the hymns, whether of the sevenfold daily office, of the weekly commemoration of creation and redemption, of the yearly revolution of the Church's seasons, or of the birthdays to glory of martyrs and confessors--those hymns by which day unto day had uttered speech, and night unto night had taught knowledge--could not, by the hands then employed in ecclesiastical matters….The Church of England had, then, to wait. She had, as it has well been said, to begin over again. There might arise saints within herself, who, one by one, should enrich her with hymns in her own language; there might arise poets, who should be capable of supplying her office-books with versions of the hymns of earlier times. In the meantime the psalms were her own; and grievous as was the loss she had sustained, she might be content to suffice herself with those, and expect in patience the rest.
Text: 7th cent. Latin; trans. by John Mason Neale
Christ is made the sure foundation,
Christ the head and cornerstone;
chosen of the Lord and precious,
binding all the church in one;
holy Zion's help forever,
and her confidence alone.
To this temple, where we call thee,
come, O Lord of Hosts, today!
With thy faithful loving-kindness
hear thy people as they pray,
and thy fullest benediction
shed within its walls alway.
Here vouchsafe to all thy servants
what they ask of thee to gain;
what they gain from thee forever
with the blessed to retain,
and hereafter in thy glory
evermore with thee to reign.
Laud and honor to the Father,
laud and honor to the Son,
laud and honor to the Spirit,
ever three and ever one;
one in might and one in glory,
while unending ages run.
The hymn tune WESTMINSTER ABBEY was written by Henry Purcell (1659-1695), an English composer. Although incorporating Italian and French stylistic elements into his compositions, Purcell's legacy was a uniquely English form of Baroque music. He is generally considered to be one of the greatest English composers; no other native-born English composer approached his fame until Edward Elgar. Henry studied first under Captain Henry Cooke (d. 1672), Master of the Children, and afterwards under Pelham Humfrey (d. 1674), Cooke's successor. Henry was a chorister in the Chapel Royal until his voice broke in 1673, when he became assistant to the organ-builder John Hingston, who held the post of keeper of wind instruments to the King. Purcell is said to have been composing at nine years old, but the earliest work that can be certainly identified as his is an ode for the King's birthday, written in 1670. In 1679, Blow, who had been appointed organist of Westminster Abbey in 1669, resigned his office in favour of his pupil. Purcell now devoted himself almost entirely to the composition of sacred music, and for six years severed his connection with the theatre. Purcell is buried adjacent to the organ in Westminster Abbey. The music that he had earlier composed for Queen Mary's funeral was performed during his as well. Purcell was universally mourned as 'a very great master of music.' Following his death, the officials at Westminster honoured him by unanimously voting that he be buried with no expense in the north aisle of the Abbey. His epitaph reads: "Here lyes Henry Purcell Esq., who left this life and is gone to that blessed place where only his harmony can be exceeded.”
Charles W. Ore (b.1936) was born in Winfield, Kan. A 1958 graduate of Concordia University in Seward, he was awarded a master of music degree from Northwestern University in. Evanston, Ill., and a doctor of musical arts degree from the University of Nebraska-Lincoln. From 1966 to 2001, Charles was professor of music and chair of the Music Department at Concordia University in Seward, Nebraska. He was also the cantor of Pacific Hills Lutheran Church in Omaha, Nebraska from 1975-2001 and Associate Organist at First-Plymouth Congregational Church, Lincoln, Nebraska from 2001-2006. Charles is an accomplished organ recitalist, composer of organ and choral music, and is a leader in the use and development of improvisation in organ playing. Charles Ore is best known for his organ compositions. His nine volumes of 11 Compositions for Organ, which appeared from 1971 to 2012, comprise the longest-running series in Concordia Publishing House history.
About the Piano Music:
O For the Wings of a Dove - Felix Mendelssohn
(c.2006, Shawnee Press)
Jakob Ludwig Felix Mendelssohn Bartholdy (1809-1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. A grandson of the philosopher Moses Mendelssohn, Felix Mendelssohn was born into a prominent Jewish family. He was brought up without religion until the age of seven, when he was baptized as a Reformed Christian. Mendelssohn was recognized early as a musical prodigy, but his parents were cautious and did not seek to capitalize on his talent. Mendelssohn enjoyed early success in Germany, where he also revived interest in the music of Johann Sebastian Bach, and in his travels throughout Europe. He was particularly well received in Britain as a composer, conductor and soloist, and his ten visits there – during which many of his major works were premiered – form an important part of his adult career. His essentially conservative musical tastes, however, set him apart from many of his more adventurous musical contemporaries such as Franz Liszt, Richard Wagner and Hector Berlioz. The Leipzig Conservatoire (now the University of Music and Theatre Leipzig), which he founded, became a bastion of this anti-radical outlook.
Mendelssohn wrote symphonies, concerti, oratorios, piano music and chamber music. His best-known works include his Overture and incidental music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, the overture The Hebrides, his mature Violin Concerto, and his String Octet. His Songs Without Words are his most famous solo piano compositions. After a long period of relative denigration due to changing musical tastes and antisemitism in the late 19th and early 20th centuries, his creative originality has now been recognised and re-evaluated. He is now among the most popular composers of the Romantic era.
"Hear my Prayer" – "a trifle", as Mendelssohn modestly calls it – is one of his most popular and widely-known choral works. It was written at the request of Mr. William Bartholomew for a series of Concerts given at Crosby Hall, Bishopsgate Street, in the "forties", by Miss Mounsey, who afterwards became Mrs. Bartholomew. The work was first performed at Crosby Hall on January 8, 1845, with Miss Mounsey at the organ, and was published in the same year by Messrs. Ewer and Co. “O For The Wings Of A Dove” is the most famous passage from “Hear My Prayer”.
O for the wings, for the wings of a dove!
Far away, far away would I rove!
In the wilderness build me a nest,
and remain there for ever at rest.
About the Choral Music:
Be Not Afraid – Taylor Davis
(c. 2003, Choristers Guild)
Taylor Davis (b. 1980) is currently the Director of Music and Worship at Holy Covenant United Methodist Church in Houston, TX. A 2003 graduate of Centenary College of Louisiana, Taylor earned a Bachelor of Sacred Music degree while studying conducting with Dr. Julia Brasher Thorn, as well as intensive courses with Dr. Sandra Willets, Dr. Ann Howard Jones, Paul Oakley, Alice Parker and Jane Marshall. He has also studied composition with Dr. Eric McIntyre, Ms. Parker, and Ms. Marshall. In 2004 he became a Fellow of Melodious Accord. In demand across the country, with commissions coming from a wide variety of groups, his music has been performed throughout the US, Europe, South America and South Africa by youth and adults.
“Be Not Afraid” is based on Isaiah 43:1-7.
Be not afraid, for I have redeemed you.
Be not afraid, I’ve called you by name.
My love for you is everlasting, my love for you shall have no end.
You are my child, and I’ll love you always.
Just hold my hand, and I’ll lead you home.
When you feel lost, always remember: I am right here, just call my name.
When you pass through the waters, I will surround you,
When you pass through the floods, they will not sweep o’er.
When you walk through the fire, you will not be consumed.
You are my child, you are so precious to me.
The Lord's Peace - Aaron Zinter
(c.2000, Abingdon Press)
Aaron M. Zinter, Director of Music at Oak Grove Lutheran School, is a graduate of Concordia College in Moorhead, MN, and received his Master of Music degree in Choral Directing from Illinois State University in Normal, IL.
He is also director of the Master Chorale of Fargo-Moorhead.
As Director of Music at Oak Grove, he conducts the Concert Choir, Chapel Choir, 7th and 8th Grade Choir, 6th Grade General Music, AP Music Theory, Madrigals, Carolers and individual voice and guitar lessons. He directs and manages the annual 10-day Oak Grove Concert Choir Tour across the United States and Canada. He also prepares solo and ensemble members for academic competition, for which Oak Grove has earned 26 Outstanding Performances in the past six years at the North Dakota State Music Contest.
As the former Director of Music Ministries at Second Presbyterian Church in Bloomington, IL with a membership of 1500, he conducted twelve K-12 and adult choirs while serving as department head of seven musicians. While there, he directed and managed the Chancel Choir United States Mission Tour across 35 states and Canada. In March 2005, he led a 10-day choral mission trip to Northeastern Brazil with eight outstanding youth singers.
Mr. Zinter has composed and arranged original music for worship and special occasions, published choral works with Abingdon Press in Nashville, TN, and received an Outstanding Performance rating at the North Dakota State Music Contest with the Oak Grove Madrigals the past six years in a row. Mr. Zinter recorded four CDs with Chanson, a professional male acapella ensemble, and performed with Chanson in a Master Class with the King’s Singers. He has also been a volunteer facilitator of leadership training activities at Timber Pointe Outdoor Center in Illinois for youth and adults with disabilities.
The text of “The Lord’s Peace” is from John 14:27.
Peace I leave with you; my peace I give to you;
not as the world gives do I give to you.
Let not your hearts be troubled, neither let them be afraid.
Peace I leave with you; my peace I give to you. Amen.
About the Hymns:
What a Friend We Have in Jesus
Irish born Joseph M. Scriven (1819-1896) was 25 years old, in love and to be married. The day before his wedding his fiance died in a tragic drowning accident. Heartbroken, Joseph sailed from his homeland to start a new life in Canada. While in Canada working as a teacher, Joseph received word from Ireland that his mother was ill. He could not go to be with her, so he wrote a letter of comfort and enclosed one of his poems entitled “What a Friend We Have in Jesus”.
Many years later a friend was sitting with Joseph, as he was very ill. During this visit, the friend was very impressed when he ran across his poems, including “What a Friend We Have in Jesus”. As a result of this visit, almost 30 years after his letter of comfort to his mother, Joseph's poems were published in a book called Hymns and Other Verses. Soon thereafter, noted musician Charles C. Converse (1834-1918) put music to “What a Friend We Have in Jesus”. Well-known musician and revivalist Ira D. Sankey (1840-1908) was a great admirer of Joseph Scriven. In 1875, Sankey came upon the music and words for “What a Friend We Have in Jesus” and included it as the last entry in Sankey's Gospel Hymns Number 1.
The hymn also has many versions with different lyrics in multiple languages, such as the Japanese version "Itsukushimi Fukaki" (lit. "Deep Affection"), or a version sung during World War I with the line "When this bloody war is over" in place of the original title. The Handbook to the Lutheran Hymnal notes, "In spite of the fact that this hymn, with its tune, has been criticized as being too much on the order of the sentimental gospel type, its popularity remains strong, and the hymn retains a place in modern hymnals."
What a friend we have in Jesus, all our sins and griefs to bear!
What a privilege to carry everything to God in prayer!
O what peace we often forfeit, O what needless pain we bear,
all because we do not carry everything to God in prayer.
Have we trials and temptations? Is there trouble anywhere?
We should never be discouraged; take it to the Lord in prayer.
Can we find a friend so faithful who will all our sorrows share?
Jesus knows our every weakness; take it to the Lord in prayer.
Are we weak and heavy laden, cumbered with a load of care?
Precious Savior, still our refuge; take it to the Lord in prayer.
Do thy friends despise, forsake thee? Take it to the Lord in prayer!
In his arms he'll take and shield thee; thou wilt find a solace there.
His Eye is on the Sparrow
Civilla Durfee Martin (1866-1948) was born in Nova Scotia and died in Atlanta, Ga. In “His eye is on the sparrow” (1905), she has provided one of the most influential and often-recorded gospel hymns of the 20th century. Martin was the daughter of James N. and Irene Harding Holden, and was a schoolteacher with modest musical training. Together with her husband, Walter (1862-1935), they often wrote gospel songs for revival meetings. “Be not dismayed” is an example of their collaboration. Walter Stillman Martin was a Baptist minister who received his education at Harvard. He later became a member of the Disciples of Christ, teaching at Atlantic Christian College (now Barton College) in Wilson, N.C., before moving to Atlanta in 1919, a location that became the base for revivals that he held throughout the U.S.
The song was obviously inspired by Matthew 6:26: “Look at the birds of the air; they neither sow nor reap nor gather into barns, and yet your heavenly Gather feeds them. Are you not of more value than they?” Later in Matthew (10:29-31), the Gospel writer continues on this theme: “Are not two sparrows sold for a farthing? And one of them shall not fall on the ground without your Father. But the very hairs of your head are all numbered. Fear ye not therefore, ye are of more value than many sparrows.” Similar thoughts are cited in Luke 12:6-7. Stanza two quotes part of John 1:14 directly, “Let not your heart be troubled...”
Civilla Martin describes the context out of which the hymn was born: “Early in the spring of 1905, my husband and I were sojourning in Elmira, New York. We contracted a deep friendship for a couple by the name of Mr. and Mrs. Doolittle—true saints of God. Mrs. Doolittle had been bedridden for nigh twenty years. Her husband was an incurable cripple who had to propel himself to and from his business in a wheelchair. Despite their afflictions, they lived happy Christian lives, bringing inspiration and comfort to all who knew them. One day while we were visiting with the Doolittles, my husband commented on their bright hopefulness and asked them for the secret of it. Mrs. Doolittle’s response was simple: ‘His eye is on the sparrow, and I know He watches me.’ The beauty of this simple expression of boundless faith gripped the hearts and fired the imagination of Dr. Martin and me. The hymn ‘His Eye Is on the Sparrow’ was the outcome of that experience.” The next day she mailed the poem to Charles Gabriel, a famous composer of gospel songs, who wrote a tune for it.
Why should I feel discouraged, Why should the shadows come,
Why should my heart feel lonely And long for Heav’n and home,
When Jesus is my portion? A constant Friend is He:
His eye is on the sparrow, And I know He watches me;
“Let not your heart be troubled,” His tender word I hear,
And resting on His goodness, I lose my doubts and fears;
Though by the path He leadeth But one step I may see:
His eye is on the sparrow, And I know He watches me;
Whenever I am tempted, Whenever clouds arise,
When songs give place to sighing, When hope within me dies,
I draw the closer to Him, From care He sets me free:
His eye is on the sparrow, And I know He cares for me;
I sing because I’m happy, I sing because I’m free,
His eye is on the sparrow, And I know He watches me
First United Methodist Church, Lewisville, Texas
A Community of Everyday People Learning to Love Like Jesus
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