Each week, you may find information here about the music in the traditional worship services at First United Methodist Church in Lewisville, Texas. Some of this information is original; most of it is copied from other websites such as Wikipedia, GBOD, and hymnary.org. It is my hope that this information will enhance your understanding and enrich your worship experience.
About the Organ Music:
Laudes Domini - Robert Lind
(c.2004, Augsburg Fortress)
“Beim frühen Morgenlicht” (With the early morning light) is the opening line of the original German hymn. While the exact origins of the text are unknown, it first appeared in Katholiches Gesangbuch für den öffentlich Gottesdienst im Biszthume (Catholic Songbook for Public Worship in the [locale of] Biszthume Würzburg ). It appears in an altered version in am 1855 Franconian collection of folksongs, Frankische Völkslieder.
It was translated in English by Edward Caswall (1814-1878), who was born at Yately, in Hampshire, where his father was a clergyman. In 1832, he went to Brasenose College, Oxford, and in 1836, took a second-class in classics. His humorous work, "The Art of Pluck," was published in 1835; it is still selling at Oxford, having passed through many editions. In 1838, he was ordained Deacon, and in 1839, Priest. He became perpetual Curate of Stratford-sub-Castle in 1840. In 1841, he resigned his incumbency and visited Ireland. In 1847, he joined the Church of Rome. In 1850, he was admitted into the Congregation of the Oratory at Birmingham, where he remained. He published several works in prose and poetry.
Joseph Barnby (b. York, England, 1838; d. London, England, 1896) composed LAUDES DOMINI for this text. Tune and text were published together in the 1868 Appendix to Hymns Ancient and Modern and they have been inseparable ever since. An accomplished and popular choral director in England, Barnby showed his musical genius early: he was an organist and choirmaster at the age of twelve. He became organist at St. Andrews, Wells Street, London, where he developed an outstanding choral program (at times nicknamed "the Sunday Opera"). Barnby introduced annual performances of J. S. Bach's St. John Passion in St. Anne's, Soho, and directed the first performance in an English church of the St. Matthew Passion. He was also active in regional music festivals, conducted the Royal Choral Society, and composed and edited music (mainly for Novello and Company). In 1892 he was knighted by Queen Victoria. His compositions include many anthems and service music for the Anglican liturgy, as well as 246 hymn tunes (published posthumously in 1897). He edited four hymnals, including The Hymnary (1872) and The Congregational Sunday School Hymnal (1891), and coedited The Cathedral Psalter (1873).
When morning gilds the sky, my heart awakening cries: May Jesus Christ be praised!
In all our work and prayer we ask his loving care: May Jesus Christ be praised!
To God, the Word on high, the hosts of angels cry: May Jesus Christ be praised!
Let mortals too upraise their voices in hymns of praise: May Jesus Christ be praised!
Let earth's wide circle round in joyful notes resound: May Jesus Christ be praised!
Let air and sea and sky from depth to height reply: May Jesus Christ be praised!
Be this, when day is past, of all our thoughts the last: May Jesus Christ be praised!
The night becomes as day when from the heart we say: May Jesus Christ be praised!
Then let us join to sing to Christ, our loving King: May Jesus Christ be praised!
Be this the eternal song through all the ages long: May Jesus Christ be praised!
Robert Lind studied at North Park College at the American Conservatory of Music in Chicago, majoring in organ, composition, and music theory. At the age of 20, he worked with Leo Sowerby and became his assistant at the Cathedral of St. James, Chicago. He succeeded his mentor, Dr. Sowerby, as organist-choirmaster at the Cathedral two years later. After serving in the US Army during the Vietnam era, Lind entered the publishing world, while continuing to serve various churches in the Chicago area. He is currently organist at Lord of Life Lutheran church in Schaumburg, IL. He has played recitals in Chicago area for several decades, has presented organ repertory workshops for the American Guild of Organists, and has composed extensively for the church. Mr. Lind has approximately 180 works published for the organ.
About the Piano Music:
The Road Home - Joseph Martin
(c.1995, Malcolm Music, div. of Shawnee Press)
Stephen Paulus (1949-2014) wrote “The Road Home” in the Spring of 2001 on a commission from the Dale Warland Singers. He drew the tune from the folk song "The Lone Wild Bird." Michael Dennis Browne wrote new words for this tune from The Southern Harmony Songbook of 1835.
Tell me, where is the road I can call my own
That I left, that I lost So long ago.
All these years I have wandered, Oh, when will I know
There's a way, there's a road That will lead me home.
After wind, after rain, When the dark is done,
As I wake from a dream In the gold of day,
Through the air there's a calling From far away,
There's a voice I can hear That will lead me home.
Rise up, follow me; Come away, is the call
With the love in your heart As the only song.
There is no such beauty As where you belong.
Rise up, follow me; I will lead you home.
Joseph Martin (b. 1959 ), a native of North Carolina, earned his Bachelor of Music degree in Piano Performance at Furman University in Greenville, South Carolina. Subsequently he earned a Master of Music degree in Piano Performance at the University of Texas, Austin. Joseph taught for five years in the Piano Pedagogy Department of the University of Texas.. He is a member of the staff of Shawnee Press as Director of Sacred Publications, with responsibilities for overseeing the editorial and creative direction of the company’s sacred publications and also coordinating the recording and production aspects of future sacred publishing efforts. Joseph has performed solo piano recitals and has been the featured artist with symphony orchestras in the United States and Mexico. As winner of the Nina Plant Wideman Competition, he performed with the Guadalajara Symphony Orchestra. His solo recital in Ex-convento del Carmen was broadcast nationally throughout the country. Though he continues to perform in concert, he now devotes his efforts to playing in churches and for conferences of church musicians Recognized throughout the United States for his many choral compositions, over 1200 compositions are currently in print and the list continues to grow.
About the Vocal Solo Music:
Christ has Broken Down the Wall – Mark Miller
(c.2011, Choristers Guild)
Mark A. Miller is a lifelong United Methodist and the son, grandson, brother, and cousin of United Methodist clergy. He serves on the faculty at both the Drew Theological School and the Institute of Sacred Music at Yale University, where he teaches music and worship. He also is Director of the Gospel and Youth Choirs at the Marble Collegiate Church in New York City. Miller is well known throughout the United Methodist Church as a worship leader, teacher, and performer of sacred music.
Mark Miller's text affirms several great themes from 2 Corinthians 5. It reminds and calls us to break down those walls between us, just as Christ broke down the wall and reconciled us to God.
Christ has broken down the wall. Christ has broken down the wall.
Let us join our hearts as one. Christ has broken down the wall.
We’re accepted as we are. We’re accepted as we are.
Through God’s love all is reconciled. We’re accepted as we are.
Cast aside your doubts and fears. Cast aside your doubts and fears.
Peace and love, freely offered here; cast aside your doubts and fears.
We will tear down the walls! We will tear down every wall!
God has called us, one and all; Christ has broken down the wall.
Christ has broken down the wall.
As We Go - Jeremy Johnson
(c.2007, Van Ness Press, admin by LifeWay Worship)
Jeremy Johnson is a full-time songwriter and producer for LifeWay Worship Music Group. Originally from Shreveport, Louisiana, Jeremy moved to Nashville in 1994 to attend Belmont University. He signed an exclusive publishing deal with LifeWay in 2004 when his songs gained the attention of producer/songwriter Greg Nelson. Jeremy is the pianist/band leader at The Church at Station Hill in Spring Hill, TN.
This hymn is a simple, sincere call to carry the message and Spirit with us wherever we go. The words and music were written by Jeremy Johnson in 2011. The text is based on Psalm 48:14 and Matthew 28:16-20.
As we go, may your Spirit go before us.
As we go, may we follow where you lead.
May we live what we have learned,
share the message we have heard,
and be a light unto the world as we go.
About the Hymns:
Great is Thy Faithfulness
(c.1951, Hope Publishing)
A native of the small Kentucky town of Franklin, Thomas Obediah Chisholm (1866-1960) was born in a log cabin. He lacked formal education. Nevertheless, he became a teacher at age sixteen and the associate editor of his hometown weekly newspaper, the “Franklin Advocate”, at age twenty-one. Though he was ordained a Methodist minister in 1903, he served only a single, brief appointment at Scottsville, Kentucky, due to ill health. He wrote more than 1200 poems, 800 of which were published. They often appeared in religious periodicals such as the “Sunday School Times”, “Moody Monthly”, and “Alliance Weekly”. Many of these were set to music.
Chisholm had sent a number of his poems to the Rev. William H. Runyan (1870-1957), a musician with the Moody Bible Institute and one of the editors of Hope Publishing Company in Chicago. The tune FAITHFULNESS was written in Baldwin, Kansas, in 1923, and was first published in my private song pamphlets." A phrase in Lamentations 3:22-23 provides a basis for the refrain: "The steadfast love of the Lord never ceases, his mercies never come to an end; they are new every morning; great is your faithfulness."
Twenty years later Runyan wrote:
Mr. Chisholm and I were devoted co-workers, and I wrote harmonies to some 20 or 25 of his poems. This particular poem held such
an appeal that I prayed most earnestly that my tune might carryover its message in a worthy way, and the subsequent history of its use indicates that God answers prayer.
Showing early musical promise, Runyan was a substitute church organist by the age of twelve. He became a Methodist minister in 1891 and served several churches in Kansas but turned to evangelism in 1903; he worked for the Central Methodist Conference for the next twenty years. Following that service, Runyan became pastor at the Federated Church at John Brown University, Sulphur Springs [sic: Siloam Springs], Arkansas. Editor of Christian Workers Magazine, he also served the Moody Bible Institute and was an editor for Hope Publishing Company until his retirement in 1948. Runyan wrote a number of hymn texts, gospel songs, and hymn tunes. "Great Is Thy Faithfulness" became an unofficial school hymn at Moody Bible Institute.
George Beverly Shea (1909-2013), the famous Canadian-born singer of the Billy Graham Crusades, introduced this hymn to those attending the evangelistic meetings in Great Britain in 1954. It immediately became a favorite. This hymn appeared in many evangelical hymnals and song collections but was not chosen for an official Methodist hymnal until The United Methodist Hymnal (1989), even though the author was a Methodist. It was a very popular hymn of the former Evangelical United Brethren Church and had been included in their hymnals.
According to Carlton Young, "Great is thy faithfulness" was second only to "In the garden" as the most requested hymn for inclusion in The United Methodist Hymnal. A survey conducted in 2000 by Dean McIntyre, Director of Music Resources, General Board of Discipleship, revealed that "Great is thy faithfulness" remains one of the favorite hymns among United Methodists.
Great is thy faithfulness, O God my Father.
There is no shadow of turning with thee.
Thou changest not, thy compassions, they fail not.
As thou hast been thou forever wilt be.
Summer and winter, and springtime and harvest,
sun, moon, and stars in their courses above,
join with all nature in manifold witness
to thy great faithfulness, mercy, and love. [Refrain]
Pardon for sin and a peace that endureth,
thine own dear presence to cheer and to guide,
strength for today and bright hope for tomorrow;
blessings all mine, with ten thousand beside! [Refrain]
Great is thy faithfulness! Great is thy faithfulness!
Morning by morning new mercies I see.
All I have needed thy hand hath provided.
Great is thy faithfulness, Lord, unto me!
To God Be the Glory
Fanny Jane Crosby (1820-1915), born in New York and died in Connecticut, wrote over 8,500 gospel hymns. In 1972, Hope Publishing Co. found over 1,000 unpublished manuscripts. Her work defined what it meant to be a successful writer of gospel hymns. By the age of six weeks, Fanny Crosby was completely blind. She entered the New York School for the Blind at age twelve. She began writing hymns and poetry at age twelve. Her collaborators in publishing gospel hymns included the most successful and popular composers of her day, including William Bradbury, William Doane, Robert Lowry, Ira Sankey, and William Kirkpatrick. Crosby used numerous pen names in publishing her songs, including: Ella Dale, Mrs. Kate Gringley and Miss Viola V. A. She married blind musician Alexander Van Alstyne, and the British most often refer to her by her married name rather than Fanny Crosby. She was a lifelong Methodist and her contributions to The United Methodist Hymnal (1989) include: “Blessed Assurance,” “Close to Thee,” “I Am Thine, O Lord,” “Jesus, Keep Me Near the Cross,” “Pass Me Not, O Gentle Savior,” “Rescue the Perishing,” and “To God Be the Glory.”
This text is unique from Crosby’s other hymns because, rather than focus on our experience of God, the words are wholly about God and His perfect glory. In a sense, the hymn perfectly displaces us, removing us from the pedestal on which we so often place ourselves. This displacement is one of the great paradoxes of the Christian faith. It feels very natural for us to seek attention, approval, and our own glory. We like to be in control and present our own image to the world, an image we seek to improve through any means possible. On the other hand, there is great comfort in knowing that the image we try to make for ourselves doesn’t matter. We are made in the image of God, which means that whatever we do has to bring Him and Him alone glory. Our lives are wrapped up in God, and so too are the mistakes we make, the wounds we inflict, and all of our shortcomings. These are the things we try to avoid while we maintain control of our lives. But what a joy and a comfort to know that though these things may happen, because God is ultimately in control, and because our own image does not matter, God is still glorified. While we should still try to live a holy and upright life, we should do so to bring God glory, not ourselves. What a beautiful freedom that is.
Frances Jane Crosby’s hymns have historically been among the most popular songs sung by Methodists. The tune TO GOD BE THE GLORY was written and the refrain was added by George Washington Doane (1799-1859). “To God be the glory” was included in William Doane’s Songs of Devotion in 1870. Ira Sankey probably saw the hymn in Doane’s collection and incorporated it into the first edition of his Sacred Songs and Solos (1875). Dwight Moody and Ira Sankey helped to establish the hymn’s popularity during their revivals in Great Britain in the late 19th century. It also appeared in some British hymnals including the Methodist Hymn Book (1933).
However, it was not until the 1954 Billy Graham Crusade in Nashville that Cliff Barrows introduced this song to congregations in the United States. Mr. Graham and Mr. Barrows had learned the song during the 1952 revivals they had conducted in Great Britain. Hymnologist William J. Reynolds, writing in his hymnal companion Hymns of Faith (1964), documented the return of this hymn to the USA: “It is most extraordinary that this long-forgotten American gospel song should have been imported from England and become immensely popular during the last decade.”
To God be the glory, great things He hath done,
So loved He the world that He gave us His Son,
Who yielded His life an atonement for sin,
And opened the life gate that all may go in.
Oh, perfect redemption, the purchase of blood,
To every believer the promise of God;
The vilest offender who truly believes,
That moment from Jesus a pardon receives.
Great things He hath taught us, great things He hath done,
And great our rejoicing through Jesus the Son;
But purer, and higher, and greater will be
Our wonder, our transport, when Jesus we see.
Praise the Lord, praise the Lord, let the earth hear His voice!
Praise the Lord, praise the Lord, let the people rejoice!
Oh, come to the Father, through Jesus the Son,
And give Him the glory, great things He hath done.
First United Methodist Church, Lewisville, Texas
A Community of Everyday People Learning to Love Like Jesus
